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Quick Overview:
The Panasonic LUMIX S PRO S-R70200 70-200mm F4 Telephoto lens with O.I.S. provides high-resolution, high-contrast images across the entire zoom range making it perfect for portraits to sports. The Panasonic LUMIX 5-Axis Dual I.S. (Image Stabilizer) 2 [*1] system can be used with the LUMIX S PRO as a lens for a full-frame mirrorless camera system. LEICA Certified to Leica standards, this Telephoto Lens is an interchangeable Full Frame L-Mount.
The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for hand-shake movement, making it easy to shoot without a tripod. This Panasonic LUMIX S PRO lens offers high-precision Auto Focus to capture every photo opportunity. The focus clutch mechanism enables both instant AF/MF switching and accurate manual focusing. Focus breathing is suppressed making it an excellent choice for video recording.
Camera performance, lightweight construction, and Dust/Splash*/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series lens.
Key Features
DISCLAIMERS: [1] 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019. [2] Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when LUMIX S1R is used.
NOTICES AND DISCLAIMERS: Splash Resistant* / Dust Resistant: SPLASH RESISTANT is a term used to describe an extra level of protection this device offers against accidental exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this device is subjected to direct contact with water. MINIMIZING DAMAGE: In order to minimize the possibility of damage, please be sure the following precautions are taken: (A) The Splash Resistant feature only works in conjunction with the cameras, lenses, and accessories that carry the same Panasonic Splash Resistant certification. (B) The device is not designed to be Dust and Splash Resistant when or if a USB connection cable or the cable holder is attached to it. (C) Make sure that all doors, socket caps and terminal covers are securely closed. (D) Make sure that you are in a dry and secure place when changing the battery, lens or memory card, or other accessory. After changing, make sure their protective doors are securely closed. (E) If this device is exposed to water, sand or any other foreign material clean it as soon as possible, taking the necessary precautions that the foreign substance does not get inside the device. CAMERA MONITOR CLEANING: If sand, dust, or liquids such as water droplets adhere to the monitor, wipe them off with a dry soft cloth. (A) Not doing so may cause the monitor to respond incorrectly to touch operations. (C) If the monitor is closed when such liquids are present, malfunction may result. COLD TEMPERATURES: When using in cold temperatures (10C to 0C (14 F to 32 F): Attach a Panasonic interchangeable lens with a minimum recommended operating temperature of 10 C (14 F) before use. CAUTIONS: Do not place your hands inside the camera mount of the digital camera body. Since the sensor unit is a precision apparatus, it may cause a malfunction or damage.
Available for Pre-Order
Quick Overview:
The Panasonic LUMIX S PRO 50mm F1.4 is a large-aperture fixed focal-length with impressive image quality and rugged lightweight design, Interchangeable with L Mount camera bodies. Its 50mm focal length and F1.4 high speed ensure versatile use and stunningly high resolution with descriptive performance from center to corners of your images. LUMIX S PRO 50mm lens provides smooth defocus gradation from the focus peak to the neighboring area of the image. And it describes point light sources in the background as impressive, beautiful bokeh. LEICA Certified to stringent LEICA standards.
This Panasonic LUMIX PRO lens offers high-precision AF to capture every photo opportunity. The focus clutch mechanism enables both instant AF/MF switching and accurate manual focusing. Focus breathing is suppressed making it an excellent choice for video recording.
Camera performance, lightweight construction, and Dust/Splash*/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series lens.
KEYWORDS: s-x50; sx50; x50; 50mm lens; 50mm; full frame lens; full frame; full-frame; leica l mount; leica lens; l mount; mirrorless; mirrorless lens; s series; camera; camera lens; leica certified
Key Features:
NOTICES AND DISCLAIMERS: Splash Resistant* / Dust Resistant: SPLASH RESISTANT is a term used to describe an extra level of protection this device offers against accidental exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this device is subjected to direct contact with water. MINIMIZING DAMAGE: In order to minimize the possibility of damage, please be sure the following precautions are taken: (A) The Splash Resistant feature only works in conjunction with the cameras, lenses, and accessories that carry the same Panasonic Splash Resistant certification. (B) The device is not designed to be Dust and Splash Resistant when or if a USB connection cable or the cable holder is attached to it. (C) Make sure that all doors, socket caps and terminal covers are securely closed. (D) Make sure that you are in a dry and secure place when changing the battery, lens or memory card, or other accessory. After changing, make sure their protective doors are securely closed. (E) If this device is exposed to water, sand or any other foreign material clean it as soon as possible, taking the necessary precautions that the foreign substance does not get inside the device. CAMERA MONITOR CLEANING: If sand, dust, or liquids such as water droplets adhere to the monitor, wipe them off with a dry soft cloth. (A) Not doing so may cause the monitor to respond incorrectly to touch operations. (C) If the monitor is closed when such liquids are present, malfunction may result. COLD TEMPERATURES: When using in cold temperatures (10C to 0C (14 F to 32 F): Attach a Panasonic interchangeable lens with a minimum recommended operating temperature of 10 C (14 F) before use. CAUTIONS: Do not place your hands inside the camera mount of the digital camera body. Since the sensor unit is a precision apparatus, it may cause a malfunction or damage.
Available for Pre-Order
Quick Overview:
The Panasonic LUMIX S-R24105 24-105mm F4 Macro Lens with O.I.S. is a versatile standard zoom lens covering wide-angle to medium-telephoto with high-descriptive performance across the entire zoom range. The LUMIX S Macro Lens enables 0.5x macro shooting with a minimum focus distance of 0.3m so you can photograph small subjects at very close distances. This Macro lens is compatible with the interchangeable Full Frame L-Mount.
The O.I.S. (Optical Image Stabilizer) in the lens effectively compensates for hand-shake movement, making it easy to shoot without a tripod. This Panasonic LUMIX lens offers high-precision Auto Focus to capture every photo opportunity. The focus clutch mechanism enables both instant AF/MF switching and accurate manual focusing. Focus breathing is suppressed making it an excellent choice for video recording.
Camera performance, lightweight construction, and Dust/Splash*/Freeze-Resistant Design are some of the features you’ll enjoy while shooting with the Panasonic LUMIX S Series lens.
DISCLAIMERS: [1] 5-Axis Dual I.S. 2 can be used with the camera LUMIX S1R and S1, as of February 1, 2019. [2] Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when LUMIX S1R is used.
Key Features
NOTICES AND DISCLAIMERS: Splash Resistant* / Dust Resistant: SPLASH RESISTANT is a term used to describe an extra level of protection this device offers against accidental exposure to a minimal amount of moisture, water or dust. Splash Resistant does not guarantee that damage will not occur if this device is subjected to direct contact with water. MINIMIZING DAMAGE: In order to minimize the possibility of damage, please be sure the following precautions are taken: (A) The Splash Resistant feature only works in conjunction with the cameras, lenses, and accessories that carry the same Panasonic Splash Resistant certification. (B) The device is not designed to be Dust and Splash Resistant when or if a USB connection cable or the cable holder is attached to it. (C) Make sure that all doors, socket caps and terminal covers are securely closed. (D) Make sure that you are in a dry and secure place when changing the battery, lens or memory card, or other accessory. After changing, make sure their protective doors are securely closed. (E) If this device is exposed to water, sand or any other foreign material clean it as soon as possible, taking the necessary precautions that the foreign substance does not get inside the device. CAMERA MONITOR CLEANING: If sand, dust, or liquids such as water droplets adhere to the monitor, wipe them off with a dry soft cloth. (A) Not doing so may cause the monitor to respond incorrectly to touch operations. (C) If the monitor is closed when such liquids are present, malfunction may result. COLD TEMPERATURES: When using in cold temperatures (10C to 0C (14 F to 32 F): Attach a Panasonic interchangeable lens with a minimum recommended operating temperature of 10 C (14 F) before use. CAUTIONS: Do not place your hands inside the camera mount of the digital camera body. Since the sensor unit is a precision apparatus, it may cause a malfunction or damage.
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Phase detection AF is still available when using the XF50-140mmF2.8 R LM OIS WR with the 2x teleconverter mounted.
Contrast Detection AF is still available when using the XF100-400mmF4.5-5.6 R LM OIS WR with the 2x teleconverter mounted. Accurate focusing at super-telephoto focal lengths with shallow depth of field is possible thanks to the AF performed by the image sensor thanks to mirrorless cameras' "Live View".
The camera's optical image stabilization performance** is unaffected by the addition of the teleconverter
Using the teleconverter with a weather-resistant camera, such as the FUJIFILM X-T1 or X-Pro2 mirrorless digital camera and the FUJINON XF50-140mmF2.8 R LM OIS WR or XF100-400mmF4.5-5.6 R LM OIS WR lens does not affect the weather resistance of the system.
The teleconverter's high grade metal exterior has been designed with the X system in mind. When attached to a compatible FUJINON lens, the two products appear as one single le
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Quick Overview: 16
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There's nothing like the sharpness and smooth bokeh of a well-designed mid-range telephoto prime lens for portraiture, and the SEL85F18 is a standout choice. It features a compact, lightweight design for mobility, with high-performance optics and a large F1.8 maximum aperture that deliver outstanding image quality. An excellent second lens for both full-frame and APS-C camera users.
ED glass for chromatic aberration compensation, a 9-blade circular aperture, and carefully controlled spherical aberration contribute to superb sharpness and smooth bokeh.
A compact, lightweight (13.1 oz/371 g) design that is ideally matched to the α7 series offers a great blend of portability and high image quality for portraits, events, and more.
A double linear motor system directly drives the lens's focus mechanism without intervening gears for precise, quiet operation that is ideal for movies as well as stills.
A customizable focus hold button, a wide and responsive focus ring, dust and moisture-resistant design2, and other refinements add up to outstanding quality and versatility.
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Quick Overview:
This 100 mm mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting.
Advanced optics and design achieve extreme resolution and absolutely breathtaking bokeh that combine for overall performance that epitomizes the G Master concept.
This lens has been specifically designed to produce extraordinarily smooth, natural bokeh without vignetting. The result is naturally immersive depth and dimensionality.
Extreme image-wide resolution and sharpness fulfill the demanding 50 lines per millimeter MTF requirement that is the basis of G Master optical design.
DDSSM (Direct Drive SSM) focus drive provides fast, precise, quiet autofocus, allowing the user to concentrate fully on capturing superlative stills or movies.
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The 550 was the first production bag we made and it set the tone and style for all the others. It is still one of the largest in our range , and probably your first choice if you never want to worry about leaving something behind. Even without the two detachable end pockets, it is still large enough to carry several camera bodies, lenses, flashguns and even some overnight stay essentials.
With all that space at your disposal, you will be tempted to fill it up and that’s fine. The 550 uses a wide strap with SP20 Shoulder Pad to help distribute the weight.
The 550 set new standards for design detail and build quality and it has hardly changed since it was introduced. Take a minute to pick one up, look at it and feel it, you will see why we are as proud of it now as we were back then.
Unbuckle the two leather straps, and lift the large rain flap to gain access to the two full-height zipped pockets or the two press studded outer pockets. To get into the main compartment, just pull back on the heavy duty zip and all that space is yours to configure any way you want. The SuperFlex partitioning system sticks to the bag's lining using Velcro® touch fastener strip, so you can arrange the interior to suit your particular needs while still protecting and organizing your gear. Alternatively, you can remove it entirely.
Even more space is provided by the zipped external back pocket and the detachable end pockets. To protect its underside the 550 stands on four brass feet.
Many 550 owners use them as a safe store for all their equipment and use one of our smaller bags to carry just the specific gear they need to take the shot, going back to the 550 to swap lenses or bodies. Because they tend to be packed with heavy kit, we fitted the 550s straps with brass buckles to keep things simple and secure.
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The GF120mmF4 R LM OIS WR Macro is a mid-telephoto macro lens specifically designed for the new G Mount and 43.8 x 32.9mm sensor. The GF lens range, which can cope with resolutions up to 100MP, combines the latest technologies with extensive knowledge accumulated from making XF lenses to deliver the best possible image quality and realize the full potential of the new GFX 50S medium format mirrorless camera. The intuitive controls include a C position on the aperture ring, which allows you to adjust the aperture value with the command dial on the camera body. The A (Auto) and C positions are now lockable and all the lenses are weather and dust resistant, plus they can work in temperatures as low as -10°C for worry-free shooting outdoors. Brass mount has been adopted for the strength. This new lens series is set to become a professional workhorse.
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The FUJINON GF32-64mmF4 R LM WR is a standard zoom lens specifically designed for the new G Mount and 43.8 x 32.9mm sensor. The GF lens range, which can cope with resolutions up to 100MP, combines the latest technologies with extensive knowledge accumulated from making XF lenses to deliver the best possible image quality and realize the full potential of the new GFX 50S medium format mirrorless camera. The intuitive controls include a C position on the aperture ring, which allows you to adjust the aperture value with the command dial on the camera body. The A (Auto) and C positions are now lockable and all the lenses are weather and dust resistant, plus they can work in temperatures as low as -10°C for worry-free shooting outdoors. Brass mount has been adopted for the strength. This new lens series is set to become a professional workhorse.
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The FUJINON GF63mmF2.8 R WR is a standard lens specifically designed for the new G Mount and 43.8 x 32.9mm sensor. The GF lens range, which can cope with resolutions up to 100MP, combines the latest technologies with extensive knowledge accumulated from making XF lenses to deliver the best possible image quality and realize the full potential of the new GFX 50S medium format mirrorless camera. The intuitive controls include a C position on the aperture ring, which allows you to adjust the aperture value with the command dial on the camera body. The A (Auto) and C positions are now lockable and all the lenses are weather and dust resistant, plus they can work in temperatures as low as -10°C for worry-free shooting outdoors. Brass mount has been adopted for the strength. This new lens series is set to become a professional workhorse.
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The FUJIFILM GFX 50S delivers the world's best image quality. It combines outstanding resolution of 51.4 megapixels with exceptional tones, advanced color reproduction and high-performance lenses. This level of image quality is purely motivational. The world around you changes the moment you hold this camera in your hand. Appreciate all that can be achieved with Fujifilm's new medium format mirrorless camera system, GFX.
Fujifilm developed the FUJIFILM GFX 50S and the FUJINON GF Lenses series as a system for photographers that require even higher image quality than can be covered by the current X Series lineup.
The world's highest level of photographic image quality is produced by the integration of a large 43.8x32.9mm CMOS sensor (FUJIFILM G Format) and image design technology cultivated by Fujifilm's 80+ year history.
FUJIFILM GFX 50S overturns common perceptions of traditional medium format digital cameras with a small, lightweight body made of magnesium alloy and equipped with an ultra-high definition detachable EVF adopting a 3.69M-dot organic EL panel.
The focal plane shutter has been newly developed specifically for our mirrorless camera. While achieving a maximum shutter speed of 1/4000 sec. (1/16000 sec. when using electronic shutter), a flash synchronization speed of 1/125 sec. or less, and high performance and durability with a shutter endurance supporting up to 150,000 shots*, the camera also achieves low vibration and a quiet shutter noise.
The following Full HD settings are supported for Movie Mode: 1920x1080 29.97p/25p/24p/23.98p 36Mbps. Users can shoot high quality movies making use of the excellent color reproduction thanks to the shallow depth of field that is unique to large sensors and Film Simulation modes.
Dedicated G Mount FUJINON GF Lenses inherit the design philosophy of reputable XF Lenses, achieving extremely high resolving power and rich tone reproduction. In addition to the A (Auto) Position setting that featured on the aperture ring in the X Series, a new C (Command Dial) Position has been added, allowing for the aperture value to be changed even from the camera body.
Offers various dedicated accessories to construct a system that can respond to the detailed requests of professionals, users can select the solution that is easiest to use according to their shooting scene and method.
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The Beacon lens case is a first-of-its-kind, combining the silhouette of a vintage lens case with the function, style, and flexibility of ONA's camera bags. The Beacon is designed to protect up to four lenses and small accessories, utilizing a closed-cell foam interior and customizable padded dividers. For the photographer or creative who needs more flexibility, the Beacon can also hold select camera bodies, 360 and action cameras, and small tripods. Highly durable and water-resistant, the Beacon is handcrafted from premium 1050D ballistic nylon and features full-grain leather accents and solid brass hardware. It features two large zippered openings, a small accessories pouch, and a removable strap to protect your lenses in a suitcase or attached to a larger bag.
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Range Pouch is everything that traditional lens pouches aren’t: feature-rich, low-profile, elegant, and thoughtfully designed to carry lenses, caps, cards, flashes, and non-photo gear of all kinds.
DJI’s new Mavic drone fits perfectly inside the large Range Pouch, giving you a sleek, protective holster for your most precious of toys.
Rigid, hook-and-loop affixed belt loops allow quick belt mounting without the need to remove your belt.
Hypalon Anchor attachments (2 Anchors included) let you attach any Peak Design strap (sold separately) and wear Range Pouch as a sling bag.
Unidirectional hook and loop faster opens silently and closes securely.
Adjustable flap opening expands to fit lenses and other items of a wide length range.
Pouch opening is gusseted with stretch mesh, allowing easy access and keeping contents secure when pouch is closed.
Internally stack 2 smaller lenses or divide pouch contents with flip-down felt divider.
Stash lens caps, filters, cards or other slim items.
Transparent mesh sleeve and customizable cards for labeling contents.
Weatherproof 500D Kodra shell with high-density padding is DWR impregnated and poly-coated twice on both sides.
Hypalon-reinforced and bar-tacked stress points. Soft, durable mixed-cotton twill interior for protection, durability and a luxurious feel. Hypalon touchpoints.
Holds 4.8” max height, 3.4” max diameter. Fits 1-2 small prime lenses, or DLSR kit lenses. (ex: 50mm ƒ1.4)
Holds 6.8” max height, 4.1” max diameter. Fits larger kit lenses, or mid-zoom lenses. (ex: 24-70mm ƒ2.8)
Holds 9.3” max height, 4.6” max diameter. Fits telephoto lenses, or 2 mid-sized lenses. (ex 70-200mm ƒ2.8)
The Large pouch is also the ideal size for carrying a DJI Mavic drone.
Check out our Pouch Size help article.
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Range Pouch is everything that traditional lens pouches aren’t: feature-rich, low-profile, elegant, and thoughtfully designed to carry lenses, caps, cards, flashes, and non-photo gear of all kinds.
DJI’s new Mavic drone fits perfectly inside the large Range Pouch, giving you a sleek, protective holster for your most precious of toys.
Rigid, hook-and-loop affixed belt loops allow quick belt mounting without the need to remove your belt.
Hypalon Anchor attachments (2 Anchors included) let you attach any Peak Design strap (sold separately) and wear Range Pouch as a sling bag.
Unidirectional hook and loop faster opens silently and closes securely.
Adjustable flap opening expands to fit lenses and other items of a wide length range.
Pouch opening is gusseted with stretch mesh, allowing easy access and keeping contents secure when pouch is closed.
Internally stack 2 smaller lenses or divide pouch contents with flip-down felt divider.
Stash lens caps, filters, cards or other slim items.
Transparent mesh sleeve and customizable cards for labeling contents.
Weatherproof 500D Kodra shell with high-density padding is DWR impregnated and poly-coated twice on both sides.
Hypalon-reinforced and bar-tacked stress points. Soft, durable mixed-cotton twill interior for protection, durability and a luxurious feel. Hypalon touchpoints.
Holds 4.8” max height, 3.4” max diameter. Fits 1-2 small prime lenses, or DLSR kit lenses. (ex: 50mm ƒ1.4)
Holds 6.8” max height, 4.1” max diameter. Fits larger kit lenses, or mid-zoom lenses. (ex: 24-70mm ƒ2.8)
Holds 9.3” max height, 4.6” max diameter. Fits telephoto lenses, or 2 mid-sized lenses. (ex 70-200mm ƒ2.8)
The Large pouch is also the ideal size for carrying a DJI Mavic drone.
Check out our Pouch Size help article.
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Range Pouch is everything that traditional lens pouches aren’t: feature-rich, low-profile, elegant, and thoughtfully designed to carry lenses, caps, cards, flashes, and non-photo gear of all kinds.
DJI’s new Mavic drone fits perfectly inside the large Range Pouch, giving you a sleek, protective holster for your most precious of toys.
Rigid, hook-and-loop affixed belt loops allow quick belt mounting without the need to remove your belt.
Hypalon Anchor attachments (2 Anchors included) let you attach any Peak Design strap (sold separately) and wear Range Pouch as a sling bag.
Unidirectional hook and loop faster opens silently and closes securely.
Adjustable flap opening expands to fit lenses and other items of a wide length range.
Pouch opening is gusseted with stretch mesh, allowing easy access and keeping contents secure when pouch is closed.
Internally stack 2 smaller lenses or divide pouch contents with flip-down felt divider.
Stash lens caps, filters, cards or other slim items.
Transparent mesh sleeve and customizable cards for labeling contents.
Weatherproof 500D Kodra shell with high-density padding is DWR impregnated and poly-coated twice on both sides.
Hypalon-reinforced and bar-tacked stress points. Soft, durable mixed-cotton twill interior for protection, durability and a luxurious feel. Hypalon touchpoints.
Holds 4.8” max height, 3.4” max diameter. Fits 1-2 small prime lenses, or DLSR kit lenses. (ex: 50mm ƒ1.4)
Holds 6.8” max height, 4.1” max diameter. Fits larger kit lenses, or mid-zoom lenses. (ex: 24-70mm ƒ2.8)
Holds 9.3” max height, 4.6” max diameter. Fits telephoto lenses, or 2 mid-sized lenses. (ex 70-200mm ƒ2.8)
The Large pouch is also the ideal size for carrying a DJI Mavic drone.
Check out our Pouch Size help article.
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Applying the firmware update will add new functions such as "Voice Memo" and "Copyright Information" and dramatically improve operability in autofocus and viewfinder handling.
The FUJIFILM X-Pro2: delivering a new level of X Series photo quality by combining the brand new X-Trans CMOS III sensor and X-Processor Pro engine
The FUJIFILM X-Pro2 is the only interchangeable lens camera in the world featuring a Hybrid Viewfinder system that incorporates both optical and electric viewfinders.
The number of selectable focusing points has been expanded from 49 on previous models to 91*** for greater functionality and faster autofocus.
With key functions located on the right hand side of the camera body, all main controls can be accessed without taking your eye from the viewfinder.
Rugged and reliable body that is ready for anything professional users can throw at it.
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The MagBeam’s collapsible design isn’t just for portability. Collapse it down all the way, swap in a Wide Lens, add a MagMask, and now you’ve transformed it into a pattern-projecting-thing-of-wonder. Mind. Blown.
MagMasks are our custom-made stainless steel 'gobos' that create patterns to project through the MagBeam anywhere you want. Sweet huh?
*MagMasks not included
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The MagBeam’s collapsible design isn’t just for portability. Collapse it down all the way, swap in a Wide Lens, add a MagMask, and now you’ve transformed it into a pattern-projecting-thing-of-wonder. Mind. Blown.
MagMasks are our custom-made stainless steel 'gobos' that create patterns to project through the MagBeam anywhere you want. Sweet huh?
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The MagBeam’s collapsible design isn’t just for portability. Collapse it down all the way, swap in a Wide Lens, add a MagMask, and now you’ve transformed it into a pattern-projecting-thing-of-wonder. Mind. Blown.
MagMasks are our custom-made stainless steel 'gobos' that create patterns to project through the MagBeam anywhere you want. Sweet huh?
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The MagBeam’s collapsible design isn’t just for portability. Collapse it down all the way, swap in a Wide Lens, add a MagMask, and now you’ve transformed it into a pattern-projecting-thing-of-wonder. Mind. Blown.
MagMasks are our custom-made stainless steel 'gobos' that create patterns to project through the MagBeam anywhere you want. Sweet huh?
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The Teleconverter offers photographers great optical compression that effectively eliminates the distance between objects in the captured scene. This is a great effect for shooting stunning landscape and forced perspective.
Compatible exclusively with the Schneider Kreuznach 240mm LS and 150mm LS lenses, as well as the Phase One 150mm AF lens.
This 2x Teleconverter lens effectively doubles the focal length of these lenses to 480mm and 300 mm respectivel
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Quick Overview: The Schneider Kreuznach 75-150mm LS Zoom is maybe the most all-round and versatile Normal/Tele lens for the XF camera system.
In combination with the Schneider Kreuznach 40-80mm LS f/4.0-5.6 Zoom, the focal length range is complete, from 40mm to 150mm with only two lenses.
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Quick Overview: Schneider Kreuznach 40-80mm LS f/4.0-5.6 Zoom lens performs with ultra sharp rendition on all focal lengths. The optical quality of this zoom lens is comparable with what you would expect from a genuine prime lens.
In combination with the Schneider Kreuznach 75-150mm LS f/4.0-5.6 Zoom, the focal length range is complete, from 40mm to 150mm with only two lenses.
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The Schneider Kreuznach 240mm LS is optimized specifically for digital capture and is an ideal lens for you to get close to your subjects whether you’re shooting beauty, sports, landscape or wildlife.
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The Schneider Kreuznach 150mm f/2.8 IF lens is our fastest telephoto lens, providing razor thin depth of field at f/2.8 and beautiful out-of-focus bokeh. Perfect for studio and location portraiture alike.
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A standard portrait lens with applications in fashion, beauty, lifestyle and sports. In addition, the 150mm LS is also ideal for nature photography due to very little camera vibration using leaf shutter only.
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The Schneider Kreuznach 120mm LS Macro lens is designed for the ultimate quality Macro 1:1 image.
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Large format lens quality and versatility combined with medium format convenience. Perfect for studio work, product shots and for creating stunning images using an offset focus plane. 8° tilt, 12mm shift, rotating lens groups 360° on both axes.
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A longer focal length with just enough optical compression for full-length fashion, beauty and portraiture. The preferred lens for location portraits utilizing shallow depth of field.
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This is the standard focal length lens offering the greatest versatility. Flash sync up to 1/1600th of a second. A preferred choice for location fashion photographers using fill flash.
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Flash sync up to 1/1600th of a second. Minimal distortion semi-wide angle design provides a normal look, great for editorial portraits and location lifestyle photography.
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The Schneider Kreuznach 45mm LS lens completes our range of wide-angle possibilities for the XF Camera System. Providing a focal length that is perfect for almost any application, the Blue Ring 45mm f/3.5 offers edge-to-edge sharpness and nearly distortion free results.
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The Schneider Kreuznach 35mm LS lens is designed for ultimate quality wide angle imaging on medium format 645 format.
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The Schneider Kreuznach 28mm LS Aspherical provides full coverage of the 645 format and the market’s fastest flash synchronization capabilities.
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IQ3 Digital Backs, integrated with the XF Camera System, embody the peak of professional medium format performance. In all aspects, IQ3 Camera Systems are geared toward the professional photographer, delivering an efficient workflow and flawless image quality.
Color depth has long since been an indicator of digital imaging quality. The richer the color depth, the more natural beauty can be reproduced in the final result. With the 16 bit color depth available in the IQ3 100MP and IQ3 80MP, Phase One carries on a principle commitment to the best possible image quality. We’re proud to continue to provide the subtlety and accuracy of color that 16 bit color depth delivers.
An industry first for Medium Format, we’re introducing the most technically advanced, versatile and dynamic feature yet, complete Electronic Shutter integration. Now, with the IQ3 100MP on either the XF Camera System or an alternative technical camera, you can capture images without a single moving component. With the new rolling shutter technology of the IQ3 100MP, you have complete control directly from the digital back. The Electronic Shutter not only provides advantages for a number of capture scenarios but it extends the control and workflow possibilities for Live View, Black Reference integration and technical camera applications.
Pioneering dynamic range milestone achievements has always been a driving force of technology growth at Phase One. With each new generation of our Camera Systems, we’ve continued to lead the industry in offering the most dynamic range of any other commercially available system. We’re proud to continue that tradition in our premier IQ3 Camera System.
The IQ3 Camera Systems are designed to provide you with the ultimate in contemporary flexibility and features. Whether you’re using CCD or CMOS technology, all IQ3 Camera Systems provide you with the flexibility to meet any demand. Exposure times ranging from 1/4000th of a second to a full 60 minutes is just one example of Phase One’s commitment to the extreme demands of professional photographers.
The IQ3 Camera Systems are designed to embrace the flexibility of a modular system, allowing for integration with numerous other imaging solutions while maintaining complete integration with the XF Camera System. With logical operation and integration, also for alternative camera systems, the IQ3 Camera Systems stand as the clear professional choice in the medium format world.
Phase One is always pushing digital imaging forward. The IQ3 Camera Systems benefit from our dedication to always embrace the technological evolution of photography. With the continued introduction of new features, integration options, and tools for the IQ3 Camera Systems, Phase One ensures that you continue to benefit from your investment. With several feature updates already released, each adding new features and value, the XF IQ3 Camera System continues to evolve.
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IQ3 Digital Backs, integrated with the XF Camera System, embody the peak of professional medium format performance. In all aspects, IQ3 Camera Systems are geared toward the professional photographer, delivering an efficient workflow and flawless image quality.
Color depth has long since been an indicator of digital imaging quality. The richer the color depth, the more natural beauty can be reproduced in the final result. With the 16 bit color depth available in the IQ3 100MP and IQ3 80MP, Phase One carries on a principle commitment to the best possible image quality. We’re proud to continue to provide the subtlety and accuracy of color that 16 bit color depth delivers.
An industry first for Medium Format, we’re introducing the most technically advanced, versatile and dynamic feature yet, complete Electronic Shutter integration. Now, with the IQ3 100MP on either the XF Camera System or an alternative technical camera, you can capture images without a single moving component. With the new rolling shutter technology of the IQ3 100MP, you have complete control directly from the digital back. The Electronic Shutter not only provides advantages for a number of capture scenarios but it extends the control and workflow possibilities for Live View, Black Reference integration and technical camera applications.
Pioneering dynamic range milestone achievements has always been a driving force of technology growth at Phase One. With each new generation of our Camera Systems, we’ve continued to lead the industry in offering the most dynamic range of any other commercially available system. We’re proud to continue that tradition in our premier IQ3 Camera System.
The IQ3 Camera Systems are designed to provide you with the ultimate in contemporary flexibility and features. Whether you’re using CCD or CMOS technology, all IQ3 Camera Systems provide you with the flexibility to meet any demand. Exposure times ranging from 1/4000th of a second to a full 60 minutes is just one example of Phase One’s commitment to the extreme demands of professional photographers.
The IQ3 Camera Systems are designed to embrace the flexibility of a modular system, allowing for integration with numerous other imaging solutions while maintaining complete integration with the XF Camera System. With logical operation and integration, also for alternative camera systems, the IQ3 Camera Systems stand as the clear professional choice in the medium format world.
Phase One is always pushing digital imaging forward. The IQ3 Camera Systems benefit from our dedication to always embrace the technological evolution of photography. With the continued introduction of new features, integration options, and tools for the IQ3 Camera Systems, Phase One ensures that you continue to benefit from your investment. With several feature updates already released, each adding new features and value, the XF IQ3 Camera System continues to evolve.
The XF Camera System is designed with an independent and upgradeable operating system. The Camera OS allows for easy and simple updates, providing both new features and unique customization options. By using the XF Camera System, photographers are able to update the XF Camera System at regular intervals in order to benefit from new technology and dynamic tools.
The Honeybee Autofocus Platform is designed with a brand new approach to autofocus. A custom processor, coupled with an independent high-resolution CMOS AF sensor, allows for endless possibilities. Combining a unique floating-point architecture and a fully programmable interface, HAP-1 is easy to expand and will allow us to continuously tailor the autofocus system and release user-accessible software updates for years to come.
Continuing the platform philosophy of the XF Camera System, Feature Update #3 introduces new tools and features as well as improved functionality to existing tools. Among many improvements, ProfotoAir Remote now supports full control of up to six groups as well as TTL. System setups can be saved to and loaded from a CF card, and improved customizability of the XF Top Screen has been introduced with Icon Control.
The XF Camera System is founded on modern hardware and an open platform philosophy, allowing us to continuously add new updates in accordance with the changing pace of technology. Additionally, other manufacturers can interface with each individual component, providing photographers with versatility and customizable solutions to address any scenario.
When we say that our product life cycles are long, it's a proven fact. Customers who invested in Phase One P series Digital Backs in 2004, have received additional functionality as late as 2014, through both firmware upgrades and Capture One Pro software updates.
Being the first to embrace new technology and integrate a touch-based user interface in a digital back, we are proud to continue the tradition with the XF Camera System. We call it the OneTouch UI.
The OneTouch UI on the XF Camera System is a seamless combination of intuitive dials, keys and touch screen interactions. Each operation is used only where it makes sense and where you want it. OneTouch UI is designed with the goal of making controls so simple that photographers will feel at home within moments of getting started.
The XF Camera System can be operated either from the camera itself or from a tethered computer. To achieve this, we have removed all hard-coded button functionality, including any physical markings on the camera. This allows complete freedom to configure the systems controls to best fit your individual needs.
Two separate, yet fully integrated, touch displays are now available on the XF Camera System. The 1.6” grip screen is designed for clear visibility in any lighting condition using a transflective capacitive touch display. The back screen is a retina touch screen designed to show high-quality image previews, providing the ability to zoom to 100% with a simple tap. With 3.2” inches, there is ample space to compose and review, as well as operate advanced tools.
As if the brightest full frame prism viewfinder wasn’t enough, make room for a re-born classic!
The waist-level finder is convenient for many styles of photography - be it in studio or on location. With the ability to retain the connection between photographer and model, or simply to attain a more effective working position, the waist-level finder is a great addition to the creative toolbox.
Light metering is typically done through a camera's prism viewfinder - a challenge that until now hadn’t been solved in a waist-level finder. The XF Camera System can measure the light on the HAP-1 autofocus platform. Using this ability, light metering is available with our waist-level finder.
With a solid glass prism, the 90° viewfinder is the brightest of its kind and has virtually no loss of light. Together with nearly 100% frame coverage, the prism viewfinder displays a perfect view of the scene and comes standard on all XF Camera Systems.
Better. Faster. Stronger.
Phase One Systems have been used for decades in some of the most demanding professional and aerial applications. With the XF Camera System, we have upgraded all moving parts and materials to match that level of professional demand, delivering the fastest, most robust and most reliable camera ever.
The XF Camera System introduced an all-new electronic architecture. Designed in-house by Phase One, the XF is built using faster processors, newly designed sensor advancements - including gyroscopic sensors and accelerometers, as well as integrated wireless Profoto flash control.
One of the most important elements of great photography is timing. With the latest iteration on mechanics introduced with the XF Camera System, we have significantly reduced shutter latency and shutter recycle time, making it our most responsive camera ever.
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Revolutionary Carbon eXact tubes are even stiffer to maximize rigidity and image stability. Carbon eXact optimizes the fibre composition for each tube size, using HM (High Modulus) carbon fibre in the narrower tubes to make them stiffer. The tube diameters are also optimized: the final leg section of a 4 section Series 1 tripod is now 22.5% thicker than its predecessor.
This feature allows you to easily change worn out rubber feet or to fit other accessories, such as spiked feet or snow/sand shoes.
Our G-lock system has been redesigned from the inside out; G-lock Ultra is smoother and softer to use, and is designed to reduce dust and grit from getting in.
The Gitzo GT3543LS Series 3 Systematic Tripod is a powerful, 4-section, professional carbon fiber tripod designed to securely elevate longer lenses and heavy cameras. It is the perfect combination of elevation, lightness, durability, and uncompromising stability.
Not only are the Gitzo’s strongest and most stable tripods, the Systematic family also set the standard in terms of modularity. The GT3543LS’ top casting element opens and closes, allowing each tripod to be configured with a flat disk, geared or sliding centre column, video half-ball adaptor, levelling base or other Systematic accessories.
The GT3543LS weighs 2.03 Kg and secures an impressive payload of 25 Kg. It reaches as low as 9 cm up to 146 cm and folds down to 57 cm. A highly reliable, versatile solution that’s easy to take anywhere, this model features Gitzo's Carbon eXact tubes with G-Lock Ultra twist-locks that solidly connect the leg sections and protect them from dirt damage. New, ultra-stable, removable feet make this support even more secure. The Easy Link attachment provides enhanced versatility and ergonomics, enabling users to attach a wide array of optional accessories, such as a Manfrotto arms, LED lighting solutions, monitors, etc.
The GT3543LS replaces the GT3542LS as the tallest 4-section Systematic tripod. With a top leg diameter of 32.9 mm, this Series 3 model is the perfect choice for exacting professionals who want to travel light but require the adequate levels of stability for heavier professional equipment with longer lenses.
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The Nomad Ballhead, can also function as a gimbal head just like the GP Ballhead. But unlike the GP, the Nomad Ballhead will require a leveling base for stitched panoramic images. The Nomad Ballhead takes advantage of our latest manufacturing technology to bring you an unprecedented value in a professional tripod head.
All Acratech Ballheads are designed to be lightweight and rugged for the active outdoor photographer. The open structure lets moisture, dirt and debris fall through instead of being trapped inside a socket.
Available only with our Arca Swiss style, knob quick release clamp. The locking lever is not available on the Nomad Ballhead.
Camera quick release plates sold separately.
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A 1/4-20 generic plate with a thumb wheel that allows for fast and easy attachment and removal.
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The GK0545T-82TQD is a Traveler tripod/head kit comprising the GT0545T, the lightest carbon fiber tripod in the range - and the GH1382TQD Center Ball Head.
The Gitzo GT0545T Series 0 Traveler Carbon Fiber Tripod is an ultra-compact, 4-section support with an 180° leg folding system pioneered by Gitzo that enables its legs to reverse-fold around the center column and an optional ball head in such a way that it folds down to 36.5 cm. With its leg angles spread and the included short center column inserted, the tripod goes lower for low-angle or macro shots.
The tripod features Carbon eXact tubing legs for superior strength and stiffnessin a slimmer size, and “Traveler G-lock” - a travel-size version of Gitzo’s G-lock, specifically designed to ensure security in reduced sizes. It comes with its own shoulder strap and its specially-designed compact rubber feet can easily be replaced if necessary.
The GH1382TQD Center Ball Head Series 1 Traveler is the slimmest tripod head in the Gitzo professional tripod head range. This model features independent pan lock. It provides uncompromising ball smoothness and is constructed with high-quality, high-resistance steel and aluminium components. The GH1382TQD Center Ball Head is supplied with a short, Arca-Swiss compatible plate (GS5370SD) and is also perfect with all Gitzo's D profile plates. Its quick-release plate is kept locked with a screw-knob and a bubble level helps photographers keep a straight horizon. This tripod head fits most Arca-Swiss style plates from other brands. It does not feature a friction control knob.
Like all the other Gitzo Center Ball Heads, the GH1382TQD is a perfectly balanced and versatile tripod head, engineered to ensure the ultimate smoothness and precision of movement and secure locking.
The GK0545T-82TQD is a high-quality carbon fiber tripod and head kit built for demanding, globe-trotting photographers who like to travel light.
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This tiny Air USB dongle is all you need to take wireless control of your Profoto Air flashes from your Mac or PC. The Air USB supports the Profoto Studio 3.1 software which is available as free download.
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Introducing the OM-D E-M1 Mark II, an advanced system of innovative technology and features designed to forever change your photography. Up to 18 frames per second sequential shooting with precision C-AF Tracking. 121 Cross-Type On-Chip Phase Detection AF points. Up to 5.5 shutter speed steps of compensation with powerful in-body image stabilization. Plus a 50MP High-Res Shot Mode. It’s all enclosed in a magnesium alloy weatherproof body that weighs a mere 600 grams. Paired with the superior resolution of M.Zuiko PRO lenses, the E-M1 Mark II will deliver brilliant imagery that’s coveted by professionals everywhere.
Experience sequential shooting speeds that far surpass those of DSLR cameras. Using its advanced silent electronic shutter, the E-M1 Mark II captures 20 MP RAW image files at up to an astonishing 60 fps in S-AF Mode and 18 fps in C-AF Tracking Mode. Or, use the E-M1 Mark II’s high-speed mechanical shutter to shoot full resolution photos at a blazing 15 fps in S-AF Mode, far surpassing other cameras in its class. Thanks to cutting-edge processing speeds, even fast-moving subjects are captured in stunning detail.
Capture split-second moments with precision and ease. The Frequency Acceleration Sensor Technology (F.A.S.T.) AF system boasts 121 points of On-Chip Phase Detection plus Contrast Detection AF. Every point of On-Chip Phase Detection is cross-type, facilitating detection of vertical and horizontal lines for superior accuracy. For even faster focusing, the in-body AF Limiter function shortens AF drive time with three customizable focus distance ranges.
Capturing fast action is easy with the interactive 2.36 million-dot LCD EVF. It features a smooth 120 fps refresh rate with a 5 millisecond response time that’s imperceptible to the human eye. For superior control, there are four AF target modes: All Point, Single Point, 5-Point Cross, and 9-Point Group. Precision C-AF Tracking and the subject-tracking Cluster Display simplify focusing on moving subjects. And the AF Targeting Pad function lets you move the focus point by touching the LCD monitor with your thumb while composing shots through the viewfinder.
The new 20 MP Live MOS Sensor features an Anti-Reflective Coating on both sides of the sealed cover glass to reduce flare, and its high-speed design captures distortion-free images of moving subjects that are rich in color and detail. It works simultaneously with the new dual quad-core TruePic™ VIII Image Processor that boasts four CPU cores, four image processing cores, and a dedicated AF calculation circuit to easily power the E-M1 Mark II’s blazing sequential shooting and autofocus speeds.
The advanced 5-Axis Image Stabilization compensates for all types of camera motion to provide up to 5.5 shutter speed steps of compensation for crisp images. When paired with a M.Zuiko PRO lens that features in-lens stabilization, 5-Axis Sync IS provides up to 6.5 shutter speed steps, the world’s most effective stabilization performance*. Capture blur-free shots at longer shutter speeds of up to 2 seconds, no tripod required.
Capture C4K (4096 x 2160) video up to max bit rate of 237 Mbps at a 24P frame rate for true cinema quality. For even greater flexibility, shoot 4K (3840 x 2160) video with a 30P, 25P, or 24P frame rate. With the E-M1 Mark II’s 5-Axis Image Stabilization and electronic stabilization that’s optimized for video, you’ll shoot ultra-smooth handheld UHD video without tripods, jibs, or other bulky stabilizing equipment. Plus, there are two HDMI output modes: Monitor Mode supports an external monitor display, while Recording Mode records to an external monitor recorder.
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