Fujifilm GFX 50s II Medium Format Camera


Total reviews: 0
Camera West ID: 1053510
From $3,999.95

Product Information

  • 51.4 Megapixel Large Format CMOS Image Sensor
  • X-Processor 4 Image Processor
  • 3.0 Frames per second
  • Enhanced autofocus (AF) algorithm for optimized performance with G Mount lenses
  • Up to 6.5 stops of Internal Body Image Stabilization (IBIS)
Number Of Effective Pixels 51.4 million pixels
Image Sensor 43.8mmx32.9mm Bayer array with primary color filter
Sensor Cleaning System Ultra Sonic Vibration
Storage Media "SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II* *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility."
File Format (Still) JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format, RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)
Number Of Recorded Pixels "L: [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192 S: [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000"
Lens Mount FUJIFILM G Mount
Sensitivity Standard Output AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)
Sensitivity Extended Output ISO50/ 25600/ 51200/ 102400
Exposure Control TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted
Exposure Mode P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)
Exposure Compensation STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)
Image Stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect Up to 6.5 stops (based on CIPA standard). Pitch/yaw shake only.
Image Stabilizer Digital Image Stabilization Yes movie mode only
Image Stabilizer Is Mode Boost Yes movie mode only
Shutter Type Focal Plane Shutter
Shutter Speed Mechanical Shutter P mode: 4sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min,
Shutter Speed Electronic Shutter "P mode: 4sec to 1/16000 A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."
Shutter Speed Electronic Front Curtain Shutter P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min
Shutter Speed Mechanical + Electronic Shutter "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."
Shutter Speed E-Front + Mechanical Shutter "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."
Shutter Speed E-Front + Mechanical + Electronic Shutter "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min *Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. **The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."
Shutter Speed Movie 1\4000to1\24
Synchronized Shutter Speed For Flash 1/125sec. or slower
Continuous Shooting "Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames, Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames) *When Using the Electronic Front Curtain Shutter Approx. 1.8fps (JPEG: Endless Lossless Compression RAW: Endless Uncompressed RAW: 8 Frames) **Recordable frame depends on recording media. ***Speed of continuous shooting depends on shooting environment and shooting frames."
AE Bracketing "AE Bracketing ((2/3/5/7/9 frames) ±1/3EV - ±3EV, 1/3EV step) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO Sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL)"
Focus Mode Single AF/ Continuous AF/ MF
Focus Type TTL Contrast AF
Focus Low-Light Performance Contrast: -3.5EV with Low light priority AF-S ON and GF80mmF1.7 attached
AF Frame Selection "Single Point AF: EVF/ LCD: 13×9/ 25×17 (Changeable Size of AF Frame Among 6 Types) Zone AF: 3×3/ 5×5/ 7×7 from 117 Areas on 13×9 Grid Wide/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking All"
White Balance Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light 1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater
Self-Timer 10sec./ 2sec.
Interval Timer Shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Flash Sync Mode 1st Curtain/ 2nd Curtain/ AUTO FP (HSS)
Hot Shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF "0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4~+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 38° (Horizontal Angle of View: Approx. 30°) Built-In Eye Sensor"
LCD Monitor 3.2 inch Tilt-Type(Three Direction)Touch Screen Color LCD Monitor (Approx. 100% Coverage), , Aspect Ratio 4:3, Approx. 2.36 million dots
Touch Screen Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Touch Screen Playback Mode Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)
Sub LCD Monitor 1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor
File Format (Movie) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie Compression Long GOP
File Size / Frame Rate / Recording Time Full HD (1920×1080) 29.97p/ 25p/ 24p/ 23.98p 50Mbps up to Approx. 120 min.
Film Simulation Mode 19 modes: PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/ Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia
Clarity Setting ±5 steps
Monochromatic Color Yes
Grain Effect Roughness: STRONG/ WEAK/ OFF, Size: LARGE/ SMALL
Color Chrome Effect STRONG/ WEAK/ OFF
Color Chrome Blue STRONG/ WEAK/ OFF
Smooth Skin Effect STRONG/ WEAK/ OFF
Dynamic Range Setting AUTO / 100% / 200% / 400% *ISO RESTRICTION: DR100%: No limit/ DR200%: ISO200 or more/ DR400%: ISO400 or more
Dynamic Range Setting (Movie) "100% / 200% / 400% *DR100%: No limit/ DR200%: ISO400 or more/ DR400%: ISO800 or more"
Wireless Transmitter Standard IEEE 802.11b/g/n (standard wireless protocol)
Wireless Transmitter Encryption WEP/ WPA/ WPA2 mixed mode
Wireless Transmitter Access Mode Infrastructure
Bluetooth® Standard Bluetooth Ver 4.2 (Bluetooth low energy)
Bluetooth® Operating Frequency 2402 - 2480MHz
Terminal - Digital Interface USB Type-C (USB3.2 Gen1x1)
Terminal - Hdmi Output HDMI Micro connector (Type D)
Terminal - Others "ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal"
Power Supply NP-W235 Li-ion battery (included)
Battery Life For Still Images Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power save ON)
Actual Battery Life For Movie Capture [Full HD] Approx. 80min. Face detection is OFF
Continuance Battery Life For Movie Capture [Full HD] Approx. 140min @ 29.97p. Face detection set to OFF
Camera External Dimensions (W) 150.0mm x (H) 104.2mm x (D) 87.2mm, (W) 5.91in. x (H) 4.1in. x (D) 3.43in., Minimum Depth: 44.0mm / 1.73in.
Camera Width (mm) 150
Camera Height (mm) 104.2
Camera Depth (mm) 87.2
Camera Minimum Depth (mm) 44
Camera Width (in) 5.91
Camera Height (in) 4.1
Camera Depth (in) 3.43
Camera Minimum Depth (in) 1.73
Camera Body Weight Approx. 900g including battery and memory card, Approx. 821g excluding battery and memory card
Operating Temperature -10°C-40°C/ 14°F-104°F
Operating Humidity 10% - 80% (no condensation)
Starting Up Period Approx. 0.4sec.
Camera Item Includes Li-ion battery NP-W235, AC power adapter AC-5VJ, Plug adapter, USB cable, Shoulder strap, BCP-002 Body cap, Hot shoe cover, Cable protector
GF35-70mmF4.5-5.6 WR Lens
Focal Range 35-70mm
Lens configuration "11 elements in 9 groups (includes 1 aspherical and 2 ED elements)"
35mm Equivalent Focal Length 28-55mm
Angle of view 76°-42.7°
Max. aperture F4.5-F5.6
Min. aperture F32
Number of aperture blades 9 (rounded diaphragm opening)
Aperture Step Size 1/3EV (Wide:18 steps, Tele:16 steps)
Minimum Focusing Distance (cm) 35
Minimum Focusing Distance (in) 13.78
Max. magnification [T] 0.28x
"Lens External Dimensions : Diameter x Length* (approx.) *distance from camera lens mount flange" Φ84.9mm×73.9mm (Collapsed position), Φ84.9mm×x96.4mm (Wide position), Φ84.9mm×x95.7mm (Telephoto position)
Lens Diameter (mm) 84.9
Lens Length (mm) 73.9
Lens Length (in) 2.91
Lens Length - Extended (mm) 73.9
Lens Length - Extended (in) 2.91
Lens Weight (g) 390
Lens Weight (lb) 0.86
Filter size 62mm
Lens Item Includes FLCP-62 II Lens cap, RLCP-002 Rear lens cap, Lens hood, Tripod collar foot, Lens pouch

Body Only

  • FUJIFILM GFX 50S II Medium Format Mirrorless Camera
  • FUJIFILM NP-W235 Lithium-Ion Battery (7.2V, 2200mAh)
  • FUJIFILM BCP-002 Body Cap
  • AC-5VJ AC Power Adapter
  • Plug Adapter
  • USB Cable
  • Shoulder Strap
  • Hot Shoe Cover
  • Limited 1-Year Warranty

With 35-70mm Lens

  • FUJIFILM GFX 50S II Medium Format Mirrorless Camera with 35-70mm Lens Kit
  • FUJIFILM GF 35-70mm f/4.5-5.6 WR Lens
  • FUJIFILM NP-W235 Lithium-Ion Battery (7.2V, 2200mAh)
  • FUJIFILM BCP-002 Body Cap
  • AC-5VJ AC Power Adapter
  • Plug Adapter
  • USB Cable
  • Shoulder Strap
  • Hot Shoe Cover
  • Limited 1-Year Warranty

Delivery & returns

Returns & Exchanges

To ensure that you are pleased with the products you order from our stores all of our pre-owned gear come with a 24 hours inspection period for you to check out the item against our description. If it doesn't meet your expectations please reach out to us to start a return.

All returns are accepted 14 days from point of sale and must be returned in the original condition they were shipped as. Returns might be subject to a restocking fee of up to 15%, but as a courtesy, we do our best to work around fees if it is possible. We invite you to contact us for more info of you have a question about a return.

For more info concerning returns and exchanges please visit our knowledge base here.

Shipping & Delivery

Shipping of items over $100 required direct signature. All items over $100 are shipped via Fedex Ground. Please make sure your address accepts Fedex delivery services. Usually, PO boxes are not acceptable delivery addresses. For packages over $100 we require a direct signature if there is an issue with this please reach out to [email protected] with your order number and we will see what we can do to accommodate.

For more info concerning shipping please visit our knowledge base here.

Questions & Inquiries

Please feel free to email us [email protected], or fill out the form below and we will do our best to assist you.

What Our Customers Are Saying about the Fujifilm GFX 50s II

Bobby George - South Dakota - @bobbygeorge - bobbygeorge.com

"I deeply enjoyed shooting the new GFX 50s II. It’s a spectacular camera and an extremely humble and rewarding shooting experience. I found myself constantly reaching for the camera, not just for the novelty and excitement of the new, but because it felt like a trusted and familiar companion. There’s so much confidence and reassurance to be gained from the weight of the camera, which is not to say it’s heavy, but that it envelops itself into your hands. The viewfinder is expansive. If you want to autofocus, it is fast... If there’s a criticism to be leveled, it’s that the user interface is, at times, rather sluggish and cumbersome. However, once you have your settings ready to go, the user experience takes over and the camera is eager to explore and take stock of the world. The Fuji GFX 50s II is a transformational camera that, I believe, will further democratize the art and joy of taking pictures."

Photos were made using the Fujifilm GFX 50s II and GF 63mm f2.8 R WR by Bobby George.


    Step into the world of large format photography with GFX50S II, a GFX System camera that packs a 51.4 MP sensor that’s physically bigger than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it’s still similar in size to many full-frame cameras. At just 900g (1.98lb) and with a weather-resistant construction, it can certainly be taken everywhere, by creators anywhere. With an incredibly accurate autofocus system, in-body image stabilization that provides up to 6.5 stops, stability for complete handheld freedom, and 19 Film Simulation modes – created using over 85 years of color science know-how – GFX50S II is sure to produce outstanding results for creatives of every level.

    Move up to Large Format GFX50S II offers the perfect mix of accessibility and flexibility. Pair it with the new GF35-70mmF4.5-5.6 WR lens and you’ll find a wonderfully affordable combination that delivers images from a 51.4-megapixel sensor, which makes it the perfect gateway to large format photography. Get outstanding results with professional features that include 19 Film Simulations, advanced autofocusing, and a vast range of exposure controls providing limitless opportunities for creativity.

    The Freedom to Create GFX50S II features a redesigned in-body image stabilization (IBIS) system that is 20% smaller, and 10% lighter, than the version found in GFX100. Despite this reduction in size and weight, it provides up to an impressive 6.5 stops of five-axis stabilization (based on CIPA standards), providing dramatically broad possibilities for image makers wanting to work more freely with slow shutter speeds. Even when light levels are low, and a tripod isn’t available, steady images are on the horizon.

    Reassuringly Familiar GFX50S II weighs just 900g (1.98lb) and is similar in size to many to full-frame cameras, which makes the ergonomically contoured handgrip and PASM dial - used to access the camera’s main exposure functions - feel wonderfully familiar and accessible. A gorgeous blend of curves and edges, the camera body is finished with a top-plate LCD to display key settings, a redesigned focus lever, and a feather-touch shutter release to turn that familiar feeling into an intuitive image-making experience.

    Responsive Autofocus for Ultimate Creativity. Fast, reliable autofocus comes to GFX50S II, thanks to a combination of advanced technologies and Fujifilm’s powerful X-Processor 4 imaging engine. Sensor readout speeds have been boosted from 130fps to 250fps compared to GFX50S, enabling razor-sharp responses – whether subject tracking or picking out a face in a crowd. An improved autofocusing algorithm, taken from the latest FUJIFILM X Series and GFX System cameras, boosts focusing performance in all modes, including face and eye detection. The AF system also brilliantly works in tandem with in-body image stabilization (IBIS) to provide up to 6.5 stops of handheld stability. This simply means the camera’s autofocusing performance will be up to the task when the creative senses are flowing.

    Proven Technologies Deliver Outstanding Results Fujifilm has been perfecting its color science know-how for more than 85 years – and all the knowledge from this impressive heritage has been poured into GFX50S II. The 51.4MP large format sensor uses a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range, while 19 Film Simulation modes allow creatives to produce images with colors that stir emotion and memories. Coupled with the ever-growing family of G Mount lenses that can resolve sensors of 100MP or more, this is a camera – and system – that meets the demands of exacting creators seeking the ultimate image quality.

    Fujifilm GFX 50s II Review

    We review Fujifilm's newest medium format camera, the GFX 50s II.

    Fujifilm GFX 50s II Review
    Fujifilm GFX 50s II Medium Format Camera Reviews
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