Fujifilm GFX 50s II Medium Format Camera

Camera West ID: 1053508

From $3,999.95

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Quick Overview:

Features at a Glance:

  • 51.4 Megapixel Large Format CMOS Image Sensor
  • X-Processor 4 Image Processor
  • 3.0 Frames per second
  • Enhanced autofocus (AF) algorithm for optimized performance with G Mount lenses
  • Up to 6.5 stops of Internal Body Image Stabilization (IBIS)

What Our Customers Are Saying about the Fujifilm GFX 50s II

Bobby George - South Dakota - @bobbygeorge - bobbygeorge.com


"I deeply enjoyed shooting the new GFX 50s II. It’s a spectacular camera and an extremely humble and rewarding shooting experience. I found myself constantly reaching for the camera, not just for the novelty and excitement of the new, but because it felt like a trusted and familiar companion. There’s so much confidence and reassurance to be gained from the weight of the camera, which is not to say it’s heavy, but that it envelops itself into your hands. The viewfinder is expansive. If you want to autofocus, it is fast... If there’s a criticism to be leveled, it’s that the user interface is, at times, rather sluggish and cumbersome. However, once you have your settings ready to go, the user experience takes over and the camera is eager to explore and take stock of the world. The Fuji GFX 50s II is a transformational camera that, I believe, will further democratize the art and joy of taking pictures."


Photos were made using the Fujifilm GFX 50s II and GF 63mm f2.8 R WR by Bobby George.





    MORE THAN FULL FRAME™

    Step into the world of large format photography with GFX50S II, a GFX System camera that packs a 51.4 MP sensor that’s physically bigger than every full-frame sensor by approx. 1.7x, but so wonderfully compact that it’s still similar in size to many full-frame cameras. At just 900g (1.98lb) and with a weather-resistant construction, it can certainly be taken everywhere, by creators anywhere. With an incredibly accurate autofocus system, in-body image stabilization that provides up to 6.5 stops, stability for complete handheld freedom, and 19 Film Simulation modes – created using over 85 years of color science know-how – GFX50S II is sure to produce outstanding results for creatives of every level.


    Move up to Large Format GFX50S II offers the perfect mix of accessibility and flexibility. Pair it with the new GF35-70mmF4.5-5.6 WR lens and you’ll find a wonderfully affordable combination that delivers images from a 51.4-megapixel sensor, which makes it the perfect gateway to large format photography. Get outstanding results with professional features that include 19 Film Simulations, advanced autofocusing, and a vast range of exposure controls providing limitless opportunities for creativity.


    The Freedom to Create GFX50S II features a redesigned in-body image stabilization (IBIS) system that is 20% smaller, and 10% lighter, than the version found in GFX100. Despite this reduction in size and weight, it provides up to an impressive 6.5 stops of five-axis stabilization (based on CIPA standards), providing dramatically broad possibilities for image makers wanting to work more freely with slow shutter speeds. Even when light levels are low, and a tripod isn’t available, steady images are on the horizon.


    Reassuringly Familiar GFX50S II weighs just 900g (1.98lb) and is similar in size to many to full-frame cameras, which makes the ergonomically contoured handgrip and PASM dial - used to access the camera’s main exposure functions - feel wonderfully familiar and accessible. A gorgeous blend of curves and edges, the camera body is finished with a top-plate LCD to display key settings, a redesigned focus lever, and a feather-touch shutter release to turn that familiar feeling into an intuitive image-making experience.


    Responsive Autofocus for Ultimate Creativity. Fast, reliable autofocus comes to GFX50S II, thanks to a combination of advanced technologies and Fujifilm’s powerful X-Processor 4 imaging engine. Sensor readout speeds have been boosted from 130fps to 250fps compared to GFX50S, enabling razor-sharp responses – whether subject tracking or picking out a face in a crowd. An improved autofocusing algorithm, taken from the latest FUJIFILM X Series and GFX System cameras, boosts focusing performance in all modes, including face and eye detection. The AF system also brilliantly works in tandem with in-body image stabilization (IBIS) to provide up to 6.5 stops of handheld stability. This simply means the camera’s autofocusing performance will be up to the task when the creative senses are flowing.


    Proven Technologies Deliver Outstanding Results Fujifilm has been perfecting its color science know-how for more than 85 years – and all the knowledge from this impressive heritage has been poured into GFX50S II. The 51.4MP large format sensor uses a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range, while 19 Film Simulation modes allow creatives to produce images with colors that stir emotion and memories. Coupled with the ever-growing family of G Mount lenses that can resolve sensors of 100MP or more, this is a camera – and system – that meets the demands of exacting creators seeking the ultimate image quality.

    Number Of Effective Pixels
    51.4 million pixels

    Image Sensor
    43.8mmx32.9mm Bayer array with primary color filter

    Sensor Cleaning System
    Ultra Sonic Vibration

    Storage Media
    "SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-256GB) UHS-I / UHS-II* *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility."

    File Format (Still)
    JPEG: Exif Ver.2.3, RAW: 14bit RAW RAF original format, RAW+JPEG, TIFF 8bit RGB (In-camera Raw Conversion Only)

    Number Of Recorded Pixels
    "L: [4:3] 8256x6192 [3:2] 8256x5504 [16:9] 8256x4640 [1:1] 6192x6192 [65:24] 8256x3048 [5:4] 7744x6192 [7:6] 7232x6192 S: [4:3] 4000x3000 [3:2] 4000x2664 [16:9] 4000x2248 [1:1] 2992x2992 [65:24] 4000x1480 [5:4] 3744x3000 [7:6] 3504x3000"

    Lens Mount
    FUJIFILM G Mount

    Sensitivity Standard Output
    AUTO1/ AUTO2/ AUTO3 (up to ISO12800)/ ISO100~12800 (1/ 3 step)

    Sensitivity Extended Output
    ISO50/ 25600/ 51200/ 102400

    Exposure Control
    TTL 256-zone metering, Multi/ Spot/ Average/ Center Weighted

    Exposure Mode
    P (Program AE)/ A (Aperture Priority AE)/ S (Shutter Speed Priority AE)/ M (Manual Exposure)

    Exposure Compensation
    STILL -5.0EV - +5.0EV (1/3EV step)/ MOVIE: -2.0EV - +2.0EV (1/3EV step)

    Image Stabilizer Mechanism
    Image sensor shift mechanism with 5-axis compensation

    Image Stabilizer Compensation Effect
    Up to 6.5 stops (based on CIPA standard). Pitch/yaw shake only.

    Image Stabilizer Digital Image Stabilization
    Yes movie mode only

    Image Stabilizer Is Mode Boost
    Yes movie mode only

    Shutter Type
    Focal Plane Shutter

    Shutter Speed Mechanical Shutter
    P mode: 4sec to 1/4000, A mode: 30sec to 1/4000, S/M mode: 60min to 1/4000, Bulb mode: up to 60min,

    Shutter Speed Electronic Shutter
    "P mode: 4sec to 1/16000 A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."

    Shutter Speed Electronic Front Curtain Shutter
    P mode: 4sec to 1/4000 A mode: 30sec to 1/4000 S/M mode: 60min to 1/4000 Bulb mode: up to 60min

    Shutter Speed Mechanical + Electronic Shutter
    "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."

    Shutter Speed E-Front + Mechanical Shutter
    "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min* *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."

    Shutter Speed E-Front + Mechanical + Electronic Shutter
    "P mode: 4sec to 1/16000, A mode: 30sec to 1/16000, S/M mode: 60min to 1/16000, Bulb mode: up to 60min *Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. **The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used."

    Shutter Speed Movie
    1\4000to1\24

    Synchronized Shutter Speed For Flash
    1/125sec. or slower

    Continuous Shooting
    "Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 Frames, Lossless compressed RAW: 13 Frames, Uncompressed RAW: 8 Frames) *When Using the Electronic Front Curtain Shutter Approx. 1.8fps (JPEG: Endless Lossless Compression RAW: Endless Uncompressed RAW: 8 Frames) **Recordable frame depends on recording media. ***Speed of continuous shooting depends on shooting environment and shooting frames."

    AE Bracketing
    "AE Bracketing ((2/3/5/7/9 frames) ±1/3EV - ±3EV, 1/3EV step) Film Simulation Bracketing (Any 3 types of film simulation selectable) Dynamic Range Bracketing (100%, 200%, 400%) ISO Sensitivity Bracketing (±1/3EV, ±2/3EV, ±1EV) White Balance Bracketing (±1, ±2, ±3) Focus Bracketing (AUTO, MANUAL)"

    Focus Mode
    Single AF/ Continuous AF/ MF

    Focus Type
    TTL Contrast AF

    Focus Low-Light Performance
    Contrast: -3.5EV with Low light priority AF-S ON and GF80mmF1.7 attached

    AF Frame Selection
    "Single Point AF: EVF/ LCD: 13×9/ 25×17 (Changeable Size of AF Frame Among 6 Types) Zone AF: 3×3/ 5×5/ 7×7 from 117 Areas on 13×9 Grid Wide/Tracking AF: (Up to 9 Area) *AF-S: Wide *AF-C: Tracking All"

    White Balance
    Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY)/ Custom1-3/ Color temperature selection (2500K-10000K)/ Dayight, Shade, Fluorescent light 1, Fluorescent light 2, Fluorescent light 3, Incandescent light, Underwater

    Self-Timer
    10sec./ 2sec.

    Interval Timer Shooting
    Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)

    Flash Sync Mode
    1st Curtain/ 2nd Curtain/ AUTO FP (HSS)

    Flash Mode
    TTL(FLASH AUTO / STANDARD / SLOW SYNC.) / MANUAL / OFF

    Hot Shoe
    Yes (Dedicated TTL Flash compatible)

    Viewfinder EVF
    "0.5 inch Approx. 3.69 millions dots OLED Color Viewfinder Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4~+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: Approx. 38° (Horizontal Angle of View: Approx. 30°) Built-In Eye Sensor"

    LCD Monitor
    3.2 inch Tilt-Type(Three Direction)Touch Screen Color LCD Monitor (Approx. 100% Coverage), , Aspect Ratio 4:3, Approx. 2.36 million dots

    Touch Screen Shooting Mode
    AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting

    Touch Screen Playback Mode
    Swipe, Zoom, Pinch-in / Pinch-out, Double-tap, Drag (ON/OFF Selectable)

    Sub LCD Monitor
    1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor

    File Format (Movie)
    MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

    Movie Compression
    Long GOP

    File Size / Frame Rate / Recording Time
    Full HD (1920×1080) 29.97p/ 25p/ 24p/ 23.98p 50Mbps up to Approx. 120 min.

    Film Simulation Mode
    19 modes: PROVIA/ Standard, Velvia/ Vivid, ASTIA/ Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/ Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia

    Clarity Setting
    ±5 steps

    Monochromatic Color
    Yes

    Grain Effect
    Roughness: STRONG/ WEAK/ OFF, Size: LARGE/ SMALL

    Color Chrome Effect
    STRONG/ WEAK/ OFF

    Color Chrome Blue
    STRONG/ WEAK/ OFF

    Smooth Skin Effect
    STRONG/ WEAK/ OFF

    Dynamic Range Setting
    AUTO / 100% / 200% / 400% *ISO RESTRICTION: DR100%: No limit/ DR200%: ISO200 or more/ DR400%: ISO400 or more

    Dynamic Range Setting (Movie)
    "100% / 200% / 400% *DR100%: No limit/ DR200%: ISO400 or more/ DR400%: ISO800 or more"

    Wireless Transmitter Standard
    IEEE 802.11b/g/n (standard wireless protocol)

    Wireless Transmitter Encryption
    WEP/ WPA/ WPA2 mixed mode

    Wireless Transmitter Access Mode
    Infrastructure

    Bluetooth® Standard
    Bluetooth Ver 4.2 (Bluetooth low energy)

    Bluetooth® Operating Frequency
    2402 - 2480MHz

    Terminal - Digital Interface
    USB Type-C (USB3.2 Gen1x1)

    Terminal - Hdmi Output
    HDMI Micro connector (Type D)

    Terminal - Others
    "ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal"

    Power Supply
    NP-W235 Li-ion battery (included)

    Battery Life For Still Images
    Approx. 455 frames When GF63mmF2.8 R WR is set. (Auto power save ON)

    Actual Battery Life For Movie Capture
    [Full HD] Approx. 80min. Face detection is OFF

    Continuance Battery Life For Movie Capture
    [Full HD] Approx. 140min @ 29.97p. Face detection set to OFF

    Camera External Dimensions
    (W) 150.0mm x (H) 104.2mm x (D) 87.2mm, (W) 5.91in. x (H) 4.1in. x (D) 3.43in., Minimum Depth: 44.0mm / 1.73in.

    Camera Width (mm)
    150

    Camera Height (mm)
    104.2

    Camera Depth (mm)
    87.2

    Camera Minimum Depth (mm)
    44

    Camera Width (in)
    5.91

    Camera Height (in)
    4.1

    Camera Depth (in)
    3.43

    Camera Minimum Depth (in)
    1.73

    Camera Body Weight
    Approx. 900g including battery and memory card, Approx. 821g excluding battery and memory card

    Operating Temperature
    -10°C-40°C/ 14°F-104°F

    Operating Humidity
    10% - 80% (no condensation)

    Starting Up Period
    Approx. 0.4sec.

    Camera Item Includes
    Li-ion battery NP-W235, AC power adapter AC-5VJ, Plug adapter, USB cable, Shoulder strap, BCP-002 Body cap, Hot shoe cover, Cable protector


    GF35-70mmF4.5-5.6 WR Lens:

    Focal Range
    35-70mm

    Lens configuration
    "11 elements in 9 groups (includes 1 aspherical and 2 ED elements)"

    35mm Equivalent Focal Length
    28-55mm

    Angle of view
    76°-42.7°

    Max. aperture
    F4.5-F5.6

    Min. aperture
    F32

    Number of aperture blades
    9 (rounded diaphragm opening)

    Aperture Step Size
    1/3EV (Wide:18 steps, Tele:16 steps)

    Minimum Focusing Distance (cm)
    35

    Minimum Focusing Distance (in)
    13.78

    Max. magnification
    [T] 0.28x

    "Lens External Dimensions : Diameter x Length* (approx.) *distance from camera lens mount flange"
    Φ84.9mm×73.9mm (Collapsed position), Φ84.9mm×x96.4mm (Wide position), Φ84.9mm×x95.7mm (Telephoto position)

    Lens Diameter (mm)
    84.9

    Lens Length (mm)
    73.9

    Lens Length (in)
    2.91

    Lens Length - Extended (mm)
    73.9

    Lens Length - Extended (in)
    2.91

    Lens Weight (g)
    390

    Lens Weight (lb)
    0.86

    Filter size
    62mm

    Lens Item Includes
    FLCP-62 II Lens cap, RLCP-002 Rear lens cap, Lens hood, Tripod collar foot, Lens pouch